![]() Recently, Vince left the world of editing. During that time, he worked with both Final Cut Pro 7 and Avid Media Composer. For a decade, Vince worked in reality and documentary television. Vince Masciale was the first full-time editor for TMZ. If something is different or new, Tony examines it. He uses Final Cut Pro X, DaVinci Resolve and Blackmagic Fusion. ![]() Tony Gallardo works in San Antonio on mostly corporate video. This gives Scott a broader perspective on which software works in which situation. He edits skillfully with Adobe Premiere Pro, DaVinci Resolve, Final Cut Pro X, and Avid Media Composer. These include music videos, corporate video, and commercials. Scott Simmons edits in Nashville on a plethora of project types. She’s used Final Cut Pro 7, Adobe Premiere Pro, and Avid Media Composer for different types of work. Before working in narrative, she edited reality television and documentaries. She has credits on Altered Carbon, Colony, Supergirl, and Preacher. Monica Daniel works as an Assistant Editor for narrative television. ![]() In the same way, different NLEs might work better in certain circumstances. A claw hammer, sledgehammer, ball-peen hammer, and jackhammer all server different purposes. Rather than determine which software was the best, they discussed the strengths of each software. LumaForge’s Sam Mestman acted as the moderator. ![]() This year’s panel included Monica Daniel, Scott Simmons, Vince Masciale and Tony Gallardo. Alas, software doesn’t stay the same for very long. Confirmation bias has made sure of that.Ī panel attempted to work this out last year at the Faster, Together Stage. Yet another says, “That’s like a carpenter saying they can only build a house with one brand of hammer!” 47 comments later, nobody has changed their opinion. Someone else derides the intelligence of anyone who would use said software.
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